In Haiti, art has never been a luxury. It is how a nation remembers, how it survives, and how, against every odd, it keeps finding its way back to joy.
Magazine
The pulse of Haitian creativity, from Port-au-Prince galleries to the artists, writers, and musicians reshaping Haiti's cultural narrative today.
4 articles
On Saturday, June 27, 2026, the association Herit'Haïti brought together more than forty participants online, via Google Meet, connected from France, the Americas and Haiti. At the heart of the discussion lay a question as old as it is urgent: how can culture be turned into an instrument for building citizenship?
In Haiti, art has never been a luxury. It is how a nation remembers, how it survives, and how, against every odd, it keeps finding its way back to joy.
“Don’t Touch My Little Sister” is much more than a film in development. It is an ambitious, sensitive cinematic project deeply rooted in Haitian social realities, driven by the vision of director Wegherley Joseph.
Each January, the Port-au-Prince International Jazz Festival, better known as PAP Jazz, transforms the Haitian capital into a global musical crossroads. For its 19th edition in 2026, the festival reaffirmed its role as a cultural beacon, bringing together local and international artists in a vibrant celebration of jazz, tradition, and Haitian creativity.