Magazine
Five outstanding books on body painting, from dazzling trompe l'oeil showcases and African ceremonial art to practical, photo-rich guides to the craft.
In this article
Few arts vanish as completely as body painting. A figure is transformed over hours of patient work, photographed once or twice, and then washed clean, so that almost everything we can hold of this practice arrives to us as a book. That is why the shelf matters more here than in most fields. In our guide to what body painting is, we traced the form from its ancient ceremonial roots to the festivals and studios of today. The five books gathered below let you keep looking, each one preserving in print what the paint itself never could.
This is a small but wide library. One book is a showcase of painted illusion by the field’s best-known artist, one documents the ceremonial body art of Africa in sumptuous detail, and one gathers the best contemporary work from around the world. The last two turn from looking to doing, walking you through the brushes, sponges and airbrush that make the images possible. Between them they cover the whole arc of the form, from the museum wall to the working table.
All five are available on Amazon through the links below. They range from lavish coffee-table volumes to hands-on manuals, so you can begin wherever your curiosity sits, whether you want to admire the craft or attempt it yourself.
If body painting has a household name, it is Joanne Gair, the artist whose illusions have graced magazine covers and advertising campaigns for decades. This volume is her showcase, a gallery of the trompe l’oeil work that made her famous, in which a painted figure seems to wear clothing that is not there, or dissolves into a background, or becomes something other than human altogether. The photographs are large and lush, and they reward the slow, disbelieving second look that all the best illusion painting invites.
What lifts the book above a simple portfolio is how clearly it shows the discipline beneath the dazzle. Gair understands anatomy the way a tailor understands cloth, and her images make plain how a design must answer to the body it is painted on. For anyone coming to the form through its most spectacular achievements, this is the definitive place to start, the book that proves how far skin and pigment can be pushed.
Before body painting was a festival competition it was a ceremony, and no one has documented its ceremonial life more beautifully than Carol Beckwith and Angela Fisher. For decades this pair of photographers has traveled the length of Africa recording its living traditions, and here they turn their cameras on the painted, marked and adorned body. The result is a sumptuous record of the ochres, chalks and clays with which peoples across the continent transform the skin for courtship, initiation, mourning and celebration.
The book earns its place on any serious shelf because it restores the practice to its origins. These are not studio illusions but designs woven into the deepest rituals of community and belief, photographed with the intimacy of trusted guests rather than the distance of tourists. Read alongside the more contemporary titles here, it reminds you that the painted body is one of humanity’s oldest and most meaningful canvases.
Where Gair offers a single artist’s vision and Beckwith and Fisher a single continent’s traditions, this book opens the doors wide. Karala Barendregt gathers standout work from body painters around the world, the kind of images that fill the great festivals and win their prizes, and assembles them into a survey of the contemporary scene at its most inventive. Turning its pages is the closest thing in print to walking the floor of an international competition.
The variety is the point. Here you will find full-body fine-art pieces beside ultraviolet stage work, photographic realism beside pure fantasy, artists from a dozen countries answering the same challenge in wildly different ways. For a reader who wants to understand how broad and how alive the field is right now, rather than how one master works, this collection is the ideal companion, a passport to the whole world of the painted body.
At some point admiration turns into the itch to try, and this is the book for that moment. Doug Mitchel offers a practical, photo-heavy guide that takes you through the tools and steps of the work, from preparing the skin and choosing cosmetic-grade paints to laying down color with sponge, brush and airbrush. The emphasis throughout is on showing rather than telling, with sequences of images that let you watch a design come together stroke by stroke.
It is an approachable book, written for the beginner and the hobbyist as much as the aspiring professional, and it never assumes knowledge you do not yet have. If the showcases above make you want to pick up a brush, Mitchel is the friendly hand that shows you where to begin, demystifying a craft that can look impossibly out of reach until someone breaks it into steps.
The Wolfe brothers are twins who have built a formidable reputation in face and character work, and this book is their masterclass in it. Strictly speaking it sits just to the side of full-body painting, concentrating on the face rather than the whole figure, but the techniques it teaches are the heart of the wider craft. Across step-by-step demonstrations the pair show how to build creatures, monsters and characters directly on the skin, blending, layering and detailing with a precision that borders on the surgical.
We include it because face and character work is where a great many body painters cut their teeth, and because few teachers explain it as clearly as the Wolfes. Anyone drawn to the special-effects and fantasy end of the form, the painted transformations that turn a person into something else entirely, will find here the technical foundation that the more spectacular full-body illusions are built upon.
Read together, these five books trace the whole life of the painted body. Gair shows you how high the art can reach, Beckwith and Fisher show you how deep its roots run, and Barendregt shows you how wide it spreads across the world today. Then Mitchel and the Wolfe brothers close the distance between looking and making, handing you the brushes and the confidence to try. Each one deepens the others, and all of them deepen the festivals, techniques and traditions we explored in our guide to what body painting is.
Start wherever the pull is strongest, with the illusions that made you curious or the guides that answer the itch to begin. However you enter, you will come away with a keener eye for the most fleeting of arts, and a fuller sense of why a form that lasts only a single day has been worth preserving, in photograph and in print, for as long as people have painted one another’s skin.
About the author
CreARTivity Recreational Team
The Recreational Team runs Fanarts Corner, CreARTivity's space for readers who make things: creative tools and software, books worth owning, and contests and opportunities worth entering. Recommendations are chosen on merit, and where a link earns a commission it is disclosed. Edited by Marie Juliane David.
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