Born of sand and fire, glass is the one material that lets an artist shape light itself. Here is what glass art is, where it came from and how you can try it yourself.
Magazine
A wide-ranging exploration of human creativity across the visual, performing, literary, and applied disciplines. From painting and sculpture to dance, poetry, and design, we celebrate the craft, ideas, and stories behind every art form and the people who bring them to life.
32 articles
Born of sand and fire, glass is the one material that lets an artist shape light itself. Here is what glass art is, where it came from and how you can try it yourself.
Graffiti is writing before it is painting. It began as a name on a wall, became a style, crossed an ocean, and never stopped arguing about whether it belongs in a museum.
Among the oldest of all human arts, jewelry design turns metal, stone and even the humblest found object into meaning we can wear. Jewelry design is the art of creating objects of personal adornment, the rings, necklaces, bracelets, brooches and earrings that people have worn on their bodies for as long as there have been bodies to wear them.
Older than pottery, older than writing, the art of fiber and thread has clothed, comforted and spoken for humanity since prehistory, and it is finally being seen for what it is. Textile art is art made with fiber, thread and cloth.
Humanity's oldest craft is also one of its most alive, and it begins the same way it always has, with two hands and a lump of clay. Pottery is the ancient craft of shaping clay into vessels, the pots, bowls, plates, jugs and cups that people have made for use and for beauty since before writing existed.
Ceramic art begins with the softest of materials and ends with one of the most permanent, a transformation of clay by fire that people have been refining for more than ten thousand years. Ceramic art is the art of objects shaped from clay and permanently transformed by fire.
Long before actors had a stage of their own, carved figures were already speaking for the gods, and four thousand years later they still know how to make us cry. Every art form has its embarrassing relatives, and for the theatre that relative has long been the puppet.